Texte repris du site du WSJ.
May 27, 2008
September 30, 2000, Netzarim Junction in the Gaza Strip: France 2 correspondent Charles Enderlin offers the world a front seat on the video shooting of Mohammed al-Durra and his father Jamal. Targeted, according to Mr. Enderlin's voice-over commentary, by "gunfire from the direction of the Israeli positions." A few seconds later: "Mohammed is dead, his father is critically wounded." The
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Mohammed al-Durra crouching behind his father at Netzarim junction, |
Independent analysts and Israeli officials seeking clarification of inconsistencies in the al-Durra news report encountered stubborn resistance from the state-owned French channel and its
May 21, 2008, Palais de Justice, 11th Chamber of the Court of Appeals: Presiding judge Laurence Trébucq announced the verdict with a delicate smile:
An honest reading of the ruling calls into question the al-Durra myth. French media didn't bother to come to the funeral. Were they confident that Charles Enderlin would be vindicated? Did they think
Mr. Karsenty's defamation conviction in the court of first resort had been celebrated as proof that the al-Durra death scene was authentic. Reactions to his acquittal, which can be counted on the fingers of one bony hand, reassert that impression. In a three-second segment at the tail end of Wednesday's primetime news,
Playing on the complexity of the law dating back to July 29, 1881, Charles Enderlin and his allies insist that Mr. Karsenty is still guilty of defamation. The incriminated statements Mr. Karsenty made in 2004 on his Web site did damage their reputations. But the court found that despite the lack of absolute proof, the statements were nevertheless justified by the defendant's good faith, due diligence and appropriate language. The judge therefore acquitted
In a move unprecedented in media litigation, France 2 and Mr. Enderlin have referred the case to
The 13-page ruling is drafted with the same ethical and intellectual clarity exercised by Judge Trébucq throughout the proceedings. The court first establishes the principle that Charles Enderlin "...as a professional journalist reporting from
While Mr. Karsenty submitted voluminous evidence, France 2 and Mr. Enderlin relied on an above-suspicion strategy based on the elevated reputation of the journalist, his total confidence in the Palestinian cameraman who filmed those images without the French correspondent there, and the unquestionable dignity of the state-owned television network. Their position weakened when Judge Trébucq ordered them to submit the unedited raw footage filmed on Sept. 30, 2000. They only partially complied. In lieu of "unedited raw footage," Mr. Enderlin presented an 18-minute excerpt and, for the first time since litigation began, appeared in court on Nov. 18 to oversee the screening.
Reinforcements were brought in for the final hearing on Feb. 27 -- news director Arlette Chabot to bolster Mr. Enderlin, and Maître François Szpiner to assassinate Mr. Karsenty's character, comparing him to 9/11 conspiracy theorist Thierry Meyssan, Holocaust denier Robert Faurisson, and "the Jew who pays a second Jew to pay a third Jew to fight to the last drop of Israeli blood." This aggressive strategy backfired.
The court kept its eyes on the evidence. It is impossible in the limited space available here to do justice to a document that deserves line-by-line appreciation. The following examples drawn from the decision are a fair indication of its logical thrust: Material evidence raises legitimate doubts about the authenticity of the al-Durra scene. The video images do not correspond to the voice-over commentary. Mr. Enderlin fed legitimate speculation of deceit by claiming to have footage of Mohammed al Durra's death throes while systematically refusing to reveal it. He aggravated his case by suing analysts who publicly questioned the authenticity of the report. Examination of an 18-minute excerpt of raw footage composed primarily of staged battle scenes, false injuries and comical ambulance evacuations reinforces the possibility that the al-Durra scene, too, was staged. (There is, strictly speaking, no raw footage of the al-Durra scene; all that exists are the six thin slices of images that were spliced together to produce the disputed news report.)
The possibility of a staged scene is further substantiated by expert testimony presented by Mr. Karsenty -- including a 90-page ballistics report and a sworn statement by Dr.
The frail evidence submitted by
The landmark ruling closes with an eloquent affirmation of the right of citizens to criticize the press freely, the right of the public to be informed honestly and seriously, the right of expression guaranteed by Article 10 of the European Convention on Human Rights, a right that applies not only to inoffensive ideas but also to those that are shocking, disturbing, troubling.
The media that dramatically reported the killing of Mohammed al-Durra are deathly silent today. They didn't inform the public about the ongoing controversy, didn't attend the trials and have apparently decided to place this story into an artificial coma. As if this judgment against a colleague who placed blind trust in his Palestinian cameraman and, when called to clarify his report, attacked the questioner instead of questioning his own competence were not newsworthy?
The press corps has consistently closed ranks with Charles Enderlin. One week before the verdict was announced, pay-to-view TV station Canal+ aired a documentary seemingly concocted for the purpose of branding
Mr. Enderlin is the dean of French Middle East reporting. On
Mr. Enderlin claims ultra-Zionist Likudniks want to prevent him from reporting objectively on the Arab-Israeli conflict. He is now replaying the Karsenty case on his French state-TV blog where, in the absence of the wise Judge Trébucq, he wins hands down. He claims the al-Durra controversy was fomented in response to the publication of "Le Rêve Brisé" (Shattered Dream), where he pinpointed
France Télévisions director Patrick de Carolis and the CSA -- roughly equivalent to the U.S. Federal Communications Commission -- have been repeatedly called by media watchdogs to intervene in the al-Durra controversy. Can they all remain deaf to the wisdom of a courageous judge who has reasserted the journalist's responsibility to serve the people and account for the way he does his job?
© Wall Street Journal
* Ms. Poller is an American writer living in
Mis en ligne le 27 mai 2008, par M.













